YÅshÅ« Chikanobu, 1891Japan, with its volcanic landscape and temperate climate, is rich in green forests, majestic mountains and scenic waterways, and its natural beauty and changing seasons have always been a central theme in literature and art. During the Edo period (1603-1868), when the urban population became patrons of a vibrant new artistic and literary culture, natural landscapes and elements like flowers, trees and birds were depicted not only in paintings but also in the more affordable woodblock prints designed by Japanâs most famous artists â the focus of this section of the exhibition.The woodblock prints of the Edo period are part of a tradition called ukiyo-e (âpictures of the floating worldâ) â paintings, illustrated books and prints that originally portrayed the entertainers and activities of the urban pleasure quarters, or âfloating world.âIn 1830, the publisher Nishimura Yohachi commissioned renowned artist Katsushika Hokusai (1760-1849) to design a print series called Thirty-Six Views of Mount Fuji (Japanese: Fugaku SanjÅ«rokkei). The series, which includes Hokusaiâs celebrated âGreat Wave,â was a huge success. Just two years later Utagawa Hiroshige (1797-1858) designed the series Fifty-Three Stations of the TÅkaidÅ (Japanese: TÅkaidÅ GojÅ«san-tsugi) illustrating the stops along the route between Edo (modern Tokyo) and Kyoto. The edition published by HÅeidÅ was the best-selling Japanese print series of the time, establishing landscape as a theme of ukiyo-e. Hiroshige went on to design many more landscape series, including thirty more just on the TÅkaidÅ, and numerous other artists created prints of Japanâs famous beauty spots well into the 20th century.